Thursday, May 8, 2014

Week 5











 Twenty years from now you will be more disappointed by the things that you didn't do than from the ones you did do. So throw off the bowlines. Sail away from the harbor. Catch the trade winds in your sails. Explore. Dream. Discover.   – Mark Twain


Good day!  Hope you are well.

Today we will pick up where we left off last week, reviewing the autobiographical narratives individually assigned and the summary of Cheryl Strayed's  "The Ordinary Miraculous." You were to follow the format illustrated in the class handout on using summary, and to do it for practice. You earn participation points for this work. 

      Then it's on to the graded summary assignment( #3), the report/article you are to read and summarize and then use in a separate short report (4) or "roundup" of related recent publications.

Due today (#3) is a short summary (225-250 words) of  "Thinking Outside the Box," by Laura Pappano, published in the New York Times.  Provide the work cited item in MLA format at the foot of the paper.  Use the format shown at the bottom of today's post for an individual author of an article posted on the Internet.

 http://www.nytimes.com/2014/02/09/education/edlife/creativity-becomes-an-academic-discipline.html?src=xps   

  The article by Pappano should appear in the next  assignment, too, as the initial ground or one source support of an essay that explores in greater detail one the topic of  creativity.  Thus we will begin writing essays that involve researching and documenting the literature and/or artifacts that inform our understanding of a given subject.  At the following URL is another piece that speaks directly to the topic of creativity: http://www.huffingtonpost.com/2014/03/04/creativity-habits_n_4859769.html?1393940925# 

Here is another interesting piece on the dormant creative potential we may all possess:  http://www.huffingtonpost.com/2014/05/06/brain-injury-jason-padgett-math-genius_n_5273609.html
Note that you may also connect the "starter" news piece with other news items in a more indirect or associative fashion.  The topic of creativity is a broad one.  Scientific and/or philosophical articles that report on nature or "creation" in the elemental sense of our planet and universe, or the biological realm of living species, may be linked in interesting fashion. So, too, may articles or reports on how a culture encourages, celebrates, or preserves the creative work of the ages.

Beautiful Libraries:  http://www.mnn.com/lifestyle/arts-culture/photos/18-of-the-most-beautiful-libraries-in-the-world/beyond-words

Rachel Sussman:  http://www.oprah.com/money/Rachel-Sussmans-Photos-of-the-Longest-Living-Things-on-Earth/5
http://www.rachelsussman.com
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Essay 4: The topic must be one which you can tie to the piece on creativity as an academic study.  The idea is to expand on a subject by reviewing related topical material.  A requirement is that you use at least three reports as source material.  This means you will introduce each, summarizing the findings, provide some direct quotation, all of which should contribute to the thesis of the essay.  You will have some time to complete the assignment in class.  

Possible Topics (and you can think of more):
  • Enhancing or nurturing one's creative potential
  • Lessons from the world's great creatives
  • How play and dream inform art
  • Creativity defined (with examples)
Type the key words combined with plus signs into the search engine (I use Google) and see what news or reports appear.  The Huffington Post, The New York Times, Christian Science Monitor, NPR.org, and many other sites regularly publish news on every topic you would find in the New York Times.


Format Elements:  The source title and author, be it an article or essay in a magazine or newspaper or that of a website from which you summarize or borrow material, should be identified at the outset in your introduction or first use of the material. The year or date of such information should be recent, or otherwise noted.  Use brackets [ ] around any material you add for the sake of clarity or any necessary change to the original, such as a verb tense, a pronoun, or an ellipsis (to abbreviate the length of the passage). 

Reference to the particular source material by title and author and the purposeful use of direct quotation where warranted are requirements.  We will practice referencing and quoting from various textual sources as needed.  The following list gives examples of suitable taglines to introduce quotations:

Deani writes, . . .

As Dean says,

According to another authority, author of . . .

Makari, the author of "In the Arcadian Woods," suggests a different view, claiming . . .

*Note:  Plagiarism is theft of another's work, whether inadvertent or not.  The following is one textbook example of plagiarism (The Brief Bedford Reader, 9th ed.) :

Original passage:  If we are collectively judged by how we treat immigrants–those who appear to be 'other' but will in a generation be 'us'–we are not in very good shape.

Paraphrase (plagiarised):  The author argues that if we are judged as a group by how we treat immigrants–those who seem to different but eventually will be the same–we are in bad shape.

A paraphrase or summary must express the original freshly; it is not enough to make superficial changes to the wording here and there.  Moreover, the syntax–sentence structure– should not mirror the original.

The following URL illustrates the ways that quotations are presented and punctuated, along with whatever citations may be required:  http://www.writing.wisc.edu/Handbook/QPA_quoting.html

   
---------------------------Draft For Next Week
 Homework Essay 4 (see extended research notes and guidelines below):  Pull together an essay that focuses on one or more of the issues raised in the article you summarize today.  You are to use the New York Times piece and at least two others in developing this essay.  Google search the topic for related pieces:  i.e. you might google creative individuals or new works and findings to cull  insights on the subject of creativity, find example stories or cases, and then discuss the matter of how individuals and groups or authorities tap their creativity. The materials you find in your research may all be written sources, but may include as well mulitmedia, photo,  film, or music pieces that address in some way the topic of your piece. You should identify all sources used clearly, and in the context of their specific use or appearance in your text. Direct quotation is also a requirement.  Observe the 20 percent rule:  no more than 20 percent of the length of the essay should appear as direct quotation.  You must have a ruling point, a thesis, which is the conclusion that you have come to about the matter, and one which others might reasonalby disgree with. A thesis is a matter of considered judgment and opinion.

This is to be a 450-500 word essay, titled and double-spaced.  Bring it to class next week.


Writing the short report/essay with source references:  Research begins with a subject focus and proceeds by study of the sources that shed light on the subject. Research sources are typically categorized as primary or secondary.  The following URL provides a description of the distinctions made between the two:  http://www.yale.edu/collections_collaborative/primarysources/primarysources.html

  Those sources that help the writer to "prove" or advance the thesis point are essential.  You as author must become something of an expert in your particular line of inquiry by studying your sources. Whatever the purpose and scope of your essay or report, you will draw upon the "truths" of your sources to help you make your point(s).

Turn to Pappano's piece about academic courses in creativity.  Why was it written?  In what context(s) must it be understood?  To what issues does it speak, what human interests and concerns?  What further research might Pappano's report invite?   We will discuss in class the context of the report's publication and its topical links.  Essay assignment #4 is to be a short essay that synthesizes material from several different source articles or artifacts that are topically linked to the Healy piece.

In research reports, each source must be clearly referenced in text by title and author or publication site if no author is named.  The Modern Language Association publishes guidelines for writing in the humanities which we will follow. These include what are called in-text citations and a Works Cited list.  We will look at the format further in weeks to come, but for now let me make a few points about the business of gathering information, which, naturally, is how we become informed.

Whatever the topic– literary, political, environmental, economic–our first understandings often arise through personal experience and/or casual exposure.   We may have learned something of WWII from our grandparents, who lived through it and have told us stories, for example.  We may have served in the military and thus have direct insight into the impact of war on individuals and society.  We may have read novels, histories, watched documentary films, or listened to the testimonials of those who have born witness to war.  We may read the daily news reports of wars near and far.  We may have visited the great battlefields of Gettysburg or elsewhere.  And we may have formed certain conclusions, however tentative, about the nature of war and its historical use by governments in pursuit of whatever aims. So we may have a store of experience and information that informs our attitudes.  Yet we may never have put together an essay that provides the telling examples, personal voices, eye witness accounts, and expert opinions that provide the persuasive account of why we feel as we do. In fact we may never have gathered it all together for synthesis and analysis.  But that's what we do when we research a matter or issue.

We may use dictionaries to help us define words and terms that may be unfamiliar, encyclopedias to get  concise facts and history, and the news media to learn of events large and small and the range of popular and expert opinion on a given matter.   We may include the artists whose works give us imaginative insight, and the personal stories that come to us by so many means.  What have the many who have weighed in on any subject had to say?   Expository essays are built on writing that is informative, based on the most credible and recent information, with the express purpose of conveying  to readers a clear understanding of the issue or matter. There may be a personal story or basis to the writing, but reference to the work or ideas of others is necessary, in the form of description, summary,  paraphrase and direct quotation, synthesis, and logical analysis. You as author control the material and remain the dominant voice throughout.  It is your thesis idea, your conclusion that unifies and drives the development and choice of sources used in support.
        An essay on some aspect of culture and society today, for example, would necessarily be informed by the writer's particular knowledge of the subject, which comes from familiarity with the literature and artifacts of that aspect of culture and society.  You might, for example, watch a film ( a primary source), and then record your responses, questions that arise, evaluations of the actors, the plot, script, cinematography, etcetera.  You read everything you can find about the making of this film.   You review what has been written or broadcast by others about the film (secondary sources).  Finally, you write a piece that incorporates important aspects of the film's creation, aspects of its cultural importance, the critical responses of film experts or credible reviewers, and of course your own thoughts and conclusions on whatever you have deemed the most important focus in writing about the film. 
    Addressing current events and topics in the media allows you to tap the interest of readers who want to stay current and well-informed, and allows you to enter and shape the discussion as one who is well-informed and has something to add to the discussion, be it only your opinion. It is critical that you identify the various sources you have used for content by author and/or title of work and that the source information be tied to the content borrowed. 

-------------- Essay work should always advance a point, that is, a thesis, always an arguable claim, and one that tries to convince readers of the truth or soundness of some position,  or perhaps to do something, take a stand, too.  Essayists may explore a topic so that readers are in a position to make an informed decision, without themselves insisting on a single position or interpretation of events. The thesis may address an issue that has no ready or absolute answer, nor one readily verified by resort to factual report, but one that must be grappled with and that challenges readers to define their values and beliefs.

Argument or fact?  Facts do not stand alone.  They are put to use, interpreted, sometimes misinterpreted.  Which of the following statements convey matters of fact?  Which are claims, opinions?

     *Recent severe weather events have been caused by climate change.
     *Water boils at 212 degrees Fahrenheit.
     *Van Gogh’s work is that of a madman.
     *Plastic bags are polluting the seas.
     *Consumers must reduce their carbon footprint.
     *The average temperature of the earth has risen over the last century.
     *Glaciers are melting at a rate unprecedented in modern times.
     *Climate change is a dire threat to the existence of life as we know it.
     *The existence of God is a myth.

 The argument is to be built around an arguable claim, that is one about which reasonable people could reasonably disagree.  It should be supported with reference to your readings, expert or authoritative findings, factual support and logical analysis.  First-person experience and appeals to common sense and human values count, too. 

Consider the following thesis:  The use of plastics worldwide must come under closer scrutiny and regulation.

   Readers may now want to know why, and how the issue affects them and, indeed, if there is anything they might do to help resolve the issue. Your sources provide background information, demonstrate your knowledge of the topic, provide authoritative support and perspective, and show the range of perspectives possible, in fairness to differing opinions.

  Our ideas, whether commonly held or no, are rooted in traditional areas of study reflecting the history of human thought, values, attitudes, and tastes, and conduct.  These study areas include philosophy, religion, nature, aesthetics, science, ethics, education, etcetera.  Our most closely held beliefs and attitudes reflect very often our unexamined ideas about the nature of love, faith, trust, loss, betrayal, goodness and evil, freedom, sanctity, the very meaning of life.  Whether we focus on Washington and the shenanigans that make the nightly news, bioengineering, Facebook, legal injustices, or the most recent individual or "hero" making  a positive difference in the world, our beliefs, associated ideas, and feelings define us as human beings.  In choosing a research topic you will tap into some subject about which you feel strongly and have clear enough knowledge to put across a cogent argument or position, as supported also by fact and opinion gathered from your reading of available literature.  


*Select material for quotation on the following bases:
1       -the wording is particularly memorable, to the point, and not easily paraphrased
2       -it expresses an author’s or expert’s direct opinion that you want to emphasize
3       -it provides example of the range of perspective
4       -it provides a constrasting or opposing view

*See http://owl.english.purdue.edu/owl/resource/675/1/ for MLA formatting rules and examples of direct quotation.   The OWL site offers fairly comprehensive discussion and examples of presenting and documentaing primary and secondary source material.



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Citing Sources in MLA Style

To document your research sources, whether from an article in print or online, an encyclopedia or dictionary item, an interview source, a film, photograph, illustration or other visual material– there is a standard means.  The primary reference is the author of the source, whose last name provides the key or first word to the source item as it is entered on the Works Cited page.  This page contains an alphabetical list of all the sources cited in the report. Any directly quoted, paraphrased or summarized information should be referenced or cited in text and then included on the Works Cited page.   Thus, on this page one finds the full bibliographic or publication information of each source cited in the report/essay.  The author’s name and the title of the piece should be included in the essay text along with whatever information item you have borrowed or used.  This in-text reference may appear as a parenthetical citation (i.e. a set of parentheses like the one I am using now) containing the author's last name and perhaps a page number or text title.  Sometimes an article or source being used may have no author credit; in such instances, use the text title as the key term.  

The following URL displays the MLA guidelines and illustrations for integrating sources:
Checklist:
*Double-check to that you have acknowledged all material from a source.
*Identify the author of each source in text or in parentheses following the information item.
*Use the title as a source reference for works without identified authors.
*Follow the basic pattern for creating entries on the Works Cited page, and be sure to alphabetize them.

The Works Cited format is here illustrated for some commonly used sources:

Individual Author of a Book
Hazzard, Shirley.  The Great Fire.  New York.  Farrar, 2003. Print.

Article from a Printed Magazine
Jenkins, Lee.  “He’s Gotta Play Hurt.”  Sports Illustrated. 26 Oct. 2009:  42-3. Print.

Article from an Online Magazine
Bowden, Mark.  “Jihadists in Paradise.”  The Atlantic.com.  Atlantic Monthly Group, Mar. 2007.  Web. 8 Mar. 2007.

Article from an Online Newspaper
Richmond, Riva.  “Five Ways to Keep Online Criminals at Bay.”  New York Times.  New York Times, 19 May 2010.  Web.  29 May 2010.

Selection from an Online Book
Webster, Augusta.  “Not Love.”  A Book of Rhyme.  London, 1881.  Victorian Women Wrtiers Project. Web. 8 Mar. 2007.
  
Organization Web Page
“Library Statistics.”  American Library Association.  Amer. Lib. Assn.  2010 Web. 26 Feb. 2010.

Film
Lord of the Rings:  The Return of the King.  Dir. Peter Jackson.  New Line Cinema, 2003. Film.

Program on Television or Radio
“The Wounded Platoon.”  Frontline.  PBS.  WGBH, Boston, 18 May 2010.  Television.

Online Video Clip
Murphy, Beth.  "Tips for a Good Profile Piece."  Project:  Report. YouTube, 7 Sept. 2008. Web. 19 Sept. 2008.
Advertisement
Feeding America.  Advertisement.  Time.  21 Dec. 2009:  59.  Print.

Comic or Cartoon
Adams, Scott.  “Dilbert.”  Comic Strip.  Denver Post 1 Mar. 2010:  8C. Print.

Personal, Telephone, or E-mail Interview
Boyd, Dierdra.  Personal Interview. 5 Feb. 2012.



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*Field Report:  The field report must be done on your own, and requires you report from an eye witness perspective on some event, natural feature, business and so on that is part of our local community–Monroe, Dade, Collier, Broward, or Palm Beach County.  We will discuss it further next week and I'll provide examples.



Thursday, May 1, 2014

Week 4









    Good morning.  Hope your week is going well.

 Today we will review the autobiographical essay (#2) and get to the summary work slated for this week. I'll return the practice sentence work from last week, and we'll review some material from last week's page, for example, essay lead-ins, and the piece by Cheryl Strayed.

Note, during readings please give each writer your undivided attention and constructive feedback.   We'll look at the soundness of the narrative structure in terms of the plot (clear conflict, development, crisis/climax) and rendering of setting, scene, and character specifics (autobiographical self-portrait);  at the use of descriptive imagery to reveal place, incident, character, feeling drama; and at the overall unity and development of  the piece (clearly implied or stated thesis idea); lead-ins and conclusions, and the fluency of the sentence elements.

Remember,  a composition of even a single paragraph must organize itself around an idea, stated or implied, which is the thesis or topic idea.

What is a thesis? A thesis is a single sentence statement of the point you intend to describe, explain, illustrate, argue or prove. Where is the thesis to be found? Typically, by convention, teachers ask that it appear by the last line of the opening paragraph. It thus provides a focus and a clear direction and means of selection, for whatever does not in some way help to advance the thesis idea, may not belong in the essay at all. When you and your readers know what your point is, you and they can follow the logic of your development, the order and arrangement of supporting topics and personal commentary. It is a good idea to have a draft statement of your thesis in view so that you stay on point as you draft the essay. Build key words into the thesis statement to provide you and readers references to what lies ahead. A thesis controls to some extent what will appear in the essay and creates an obligation on your part to follow through on its promise, for it creates an expectation.

Five Types of Conclusions:
  • Summary
  • Callback
  • Thematic
  • Encouraging
  • Quotation

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With today's summary work (#3) we practice one aspect of what is called "critical reading" which is one component of research, and which includes correctly identifying the key information, arguments or claims and crucial topical support of a given report, article, or essay source.  When researching a subject, one must determine a source's relevance and reliability and its effective contribution to the particular research objective.  We must ask, is the report based on reliable and relevant evidence?  Does it derive from a reporter's first-person experience or eye-witness observation and include telling facts, examples, arguments or expert testimonials ?  Is the piece compelling, strong, complete, unbiased, up to date?  Sources that present little in the way of evidence or insight or little that is convincing or those that are no longer timely and relevant may be of little use.  So we search for material that contributes to our understanding in key ways and that may contribute to whatever larger purpose in our research work.

The summary work today does not require you have a thesis or provide any sort of response or evaluation.  It does require you articulate the thesis of the piece summarized.  I will be looking for your accurate capture of the key idea and its means of development and support, including several direct quotations.  You must be careful not to plagiarize (see note below).  

The article you read and summarize today will be one you use as a stepping stone or launch to an essay on a related topic that makes use of three sources or more.

In this subsequent assignment (#5), you will use the Internet to pull together sources for an essay piece   that builds from its sources.  In the course of composing, you will have to summarize or paraphrase source ideas, which means putting the ideas into your own words in brief or in about the same number of words as the original.  You will also quote directly, which means using the exact wording of the original passage and using quotation marks around the material.  


Summary Exercise (#3):   summarize briefly the essay referenced below ( in 250-300 words) using third person point of view. Incorporate two or three direct quotations to illustrate key elements of the original.   Follow the format guidelines discussed and illustrated in the handout passed out in class. 
      http://www.nytimes.com/2014/02/09/education/edlife/creativity-becomes-an-academic-discipline.html?src=xps   

Alternate:  http://well.blogs.nytimes.com/2014/04/30/want-to-be-more-creative-take-a-walk/?src=xps
Alternate:  http://www.nytimes.com/2014/07/31/opinion/what-science-says-about-marijuana.html?src=xps




Select material for quotation on the following bases:

   * the wording is particularly memorable, to the point, and not easily paraphrased

   * the passage expresses an author’s or expert’s direct opinion that  you want to emphasize

   * the passage provides example of the range of perspective

   * the passage provides a constrasting or opposing view

Format quotations according to the following guidelines:
       Brief quotations of no more than three lines should be worked into the text within the usual margins from left to right, and enclosed by quotation marks. Use a signal phrase or tagline to introduce them, followed by a colon or comma. 
       Longer passages, four lines and more, should be set off in block format, indented and aligned 10 spaces from the left margin, with no quotation marks but those that may be internal to the passage itself.

Examples of Summary with Supporting Quotations:  

        "In the Arcadian Woods," by George Makari, a psychoanalyst, he reveals that it is no easy matter to diagnose the specific cause or source of an individual's anxiety, for it is a "quintessential mind-body phenomenon" with complex roots scientists have yet to unravel.  Since the 17th century, when the first modern medical descriptions of anxiety were recorded, the mystery has only deepened:
   Anxiety disorders are now associated with complex epigenetic models, the transgenerational          transmission of trauma, a neuroscience for fear conditioning, and even a pediatric infectious  illness that triggers auto-immune mechanisms and results in obsessive compulsive disorder.  

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 from “An Ocean of Plastic” (full text available on the web):

       In the article “An Ocean of Plastic,” Kitt Doucette describes the threat of plastic to all marine life and, perhaps, human life, too: “Even small organisms like jellyfish, lanternfish and zooplankton have started to ingest tiny bits of plastic. These species, the very foundation of the oceanic food web, are becoming saturated with plastic, which may be passed further up the food chain.”  The fish we eat, he emphasizes, may contain the residues of these ingested plastic particles, and thus may pose health risks. He explains in more detail below, citing also the authority of a leading marine biologist:

[. . .] the chemical toxins concentrated in the [plastic] waste lodge themselves in the animals’ fatty tissues, accumulating at ever increasing levels the higher you go up the food chain. It isn’t clear yet if these chemicals are reaching humans, but PCB’s and DDT are know to disrupt reproduction in marine mammals. In humans they have been linked to liver damage, skin lesions, and cancer. “The possibility of more and more creatures ingesting plastics that contain concentrated pollutants is real and quite disturbing,” says Richard Thompson, a British marine biologist who has been studying microplastics for 20 years.

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The source title and author, be it an article or essay in a magazine or newspaper or that of a website from which you summarize or borrow material, should be identified at the outset in your introduction or first use of the material. The year or date of such information should be recent, or otherwise noted.  Use brackets [ ] around any material you add for the sake of clarity or any necessary change to the original, such as a verb tense, a pronoun, or an ellipsis (to abbreviate the length of the passage). 

Reference to the particular source material by title and author and the purposeful use of direct quotation where warranted are requirements.  We will practice referencing and quoting from various textual sources as needed.  The following list gives examples of suitable taglines to introduce quotations:

Deani writes, . . .

As Dean says,

According to another authority, author of . . .

Makari, the author of "In the Arcadian Woods," suggests a different view, claiming . . .

*Note:  Plagiarism is theft of another's work, whether inadvertent or not.  The following is one textbook example of plagiarism (The Brief Bedford Reader, 9th ed.) :

Original passage:  If we are collectively judged by how we treat immigrants–those who appear to be 'other' but will in a generation be 'us'–we are not in very good shape.

Paraphrase (plagiarised):  The author argues that if we are judged as a group by how we treat immigrants–those who seem to different but eventually will be the same–we are in bad shape.

A paraphrase or summary must express the original freshly; it is not enough to make superficial changes to the wording here and there.  Moreover, the syntax–sentence structure– should not mirror the original.

The following URL illustrates the ways that quotations are presented and punctuated, along with whatever citations may be required:  http://www.writing.wisc.edu/Handbook/QPA_quoting.html

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